EO 1: Assam

Leather and oud go together like king and crown, and there’s no sweeter spot between the rustic allure of Ensar’s artisanal—often mad—oud world and popular perfumery than this oudilicious addition to the cuir tradition. A rugged aroma that makes you wonder if Hemingway just lit up a Cuban, or if Churchill’s in town.

After 15 fragrant years, I finally took off my jungle jacket for a tie to dive headfirst into my debut spray parfum and create No 1. Since its first release, each iteration has had a unique flavor—still retaining the No 1 profile but showing off a different dimension—as we literally poured all we had of our precious distillations into the perfume.

I approach perfume the way I do oud distillation. That’s why No 1 is composed of the rarest, most expensive ingredients in all of perfumery, including copious amounts of prized ouds.

Not only is this among the highest quality oud fragrances that have ever been produced in spray-format (along with the likes of Oud Yusuf and Oud Royale), the entire composition is infused into a high-concentration, genuine raw ambergris tincture instead of just plain ethanol. Similar tinctures of this kind sell for around £400 for 30ml… here, it’s already included. But not just any ambergris…

I’ve literally been called stupid for insisting to use such olfactory gems in a perfume. In fact, most critics and ‘professionally trained’ perfumers advocate using synthetics exclusively. And I see their point. Why sacrifice rare rose and oud instead of synthetics that are 1000 times cheaper? Not to mention—and this is a staple argument—you never have to worry about reproducing the scent! (i.e. it’s scalable, so you can sell a lot more.)

I insist on these insanities because to me, and people like me, there IS a difference. You smell low-grade or lab-made oud (a.k.a. the ‘oud note’) and all you can do is laugh at how it’s being compared to real high-caliber oud. Most can’t even tell, but to any oud novice the difference is red and blue.

No 1 lets you exude wafts of a tobacco-heavy, old-school leather jacket aroma with an unmistakable Don Corleone kiss-my-hand-compagno esteem. Subtle, but not soft, with a base that’s all oud and vintage horse-saddle leather.

This edition is the closest to the original. In fact, it’s an improvement and the most classic No 1 to date thanks to the addition of traditional Assamese oud, aged for nine years, steeped in the late Sultan Qaboos’ own vintage ambergris – the same stones that went into Oud Royale.

I soaked up all the feedback we received since No 1 first launched and improved where folks felt it could be better, rounded off some edges some felt were a bit rough, and introduced a couple of new ingredients to the ensemble that add tenacity and longevity. Plus a few tweaks to this new Pure Parfum edition make it even headier. The result is a stronger composition that lingers longer… but doesn’t overstay; louder sillage, with a gentleman’s discretion.

Top notes:
â€‹Sultan Qaboos’ Ambergris
Lavender, Rosewood, Siam Wood, Nutmeg

Heart notes:
Indian, Turkish, and Austrian Roses, Juhi Jasmine, Tolu Balsam, Civet

Base notes:
Vintage Assam Oud, Vintage Timor Sandalwood, Tobacco, Vanilla, Oakmoss
Ethiopian and Hojari Frankincense

No doubt, No 1 is not your typical Extrait de Parfum. It’s not supposed to be. I wouldn’t dream of topping the master cuirs that came before, nor do I subscribe to modern ‘industry standards’ of how long, how loud, and how far.

This is an indie cuir that’s limited and rare, where I simply wanted to add an OUD-inspired rendition to the legacy of Cuir de Russie et al., and offer perfume lovers the chance to experience just how amazing and exalting a fixative Artisanal Oud can be. In EO No 1, you pass third base to smell Oud & Leather drunk and in love, in a parfum that’s a first in a vibrant cuir heritage that’s been turning top hats and making hearts melt for decades. .

Featured Testimonials…

My personal entry in the world of artisanal perfumes and the start of my EO journey.

A great fusion of leather, roses and Hindi oud. The lavender in the opening is not as pungent as it is in other versions of EO1 but still very lovely.

The basenotes are quite heavy in this perfume, specially the tobacco, sandalwood, frankincense and the oud which I personally enjoy a lot.

The balance between the different notes in this perfume is quite good, nothing tends to overwhelm and the entire composition feels very round without any edges.

I still have two other versions of EO1 and if I had to rank them, I’d put EO1 assam on a well-deserved 2nd place